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Signs of the time: For God’s Sake, Be Human!

This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that ...

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A letter to my younger self

Farrukh Dhondy writes to himself in this hilarious yet very poignant piece. You ‘must’ read it!

The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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My first trip on Air-India

With Air-India in the news, Farrukh Dhondy reminisces u...

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The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

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Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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The Women of the Farmers Agitation

Subhashini Ali writes about the Women farmers’ parliament - a parliament that the government is determined to keep ordin...

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The 400 Blows - Run Antoine Run!

Vandana Kumar revisits François Roland Truffaut’s film, The 400 Blows and finds resonance with the complex way ad...

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