In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

News Media: The End..

Geeta Datta, programmer and veteran reporter, views news broadcasting from what goes on inside newsrooms and explains why the ...

The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...

Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

Hollywood icon: The Rock

Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggl...

Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

Those Magnificent Women and their Flying Machines

The more you want to know Mini Vaid the more there is to her that remains unknown. An author, filmmaker, journalist and television reporter...