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‘JADUNAMA’ - A RAY OF LIGHT IN IMMENSE DARKNESS

Humra  Quraishi comments on the truth lurking behind green curtains in the capital city especially decked up for the G20 ...

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LOVE AND SURVIVAL IN THE WAR ZONE

Humra Quraishi observes the events over the last week and asks this question: Where’s the so-called development when ent...

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NSD & Bollywood

Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue.

ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

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NO LIMITS

Khalid Mohamed time-travels back to an interview with the ace actor Kamal Haasan on what he knows… and does best in sou...

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OSCARS & INDIA – S – L – A – P!!

Not Will Smith and Chris Rock, but Oscars and our film industry, over years! Can the thappads ever turn to chum...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Presenting Gangubai: Mr. Controversy’s latest traffic-stopper?

As Sanjay Leela Bhansali’s latest offering hits the screen, Monojit Lahiri invites you to stand by for truckloads of taa...

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To be a good artist, first be a good person.

Humra Quraishi revisits conversations with the danseuse Sitara Devi and writer Mani Sankar Mukherji and draws comparisons - th...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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