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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultINDIA’S AD WOMEN EVOLVE
The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...
Read MoreFILMMAKER PANKAJ BORA ON REALITY
“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...
Read MoreFILMMAKER PANKAJ BORA ON REALITY
“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...
Read MoreTHE ETERNAL CRISES OF FILM SCHOOLS
From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...
Read MoreLAST WEEK’S ARTS, CINEMA AND CULTURE PULSE
From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...
Read MoreHOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES
A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...
Read MoreFESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA
A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...
Read MoreALTERNATIVE ENTERTAINMENT: DOING IT MY WAY
Lately, it’s been raining awards and accolades on the path-breaking multi-media achiever. And she has preserved a child-like persona, ope...
Read MoreRETROSCOPE: THE FLAME THAT STILL BURNS
When Smita Patil Breathed Her Last On The Midnight Of December 13, 1986, The World Of Cinema In General And Indian Cinema In P...
Read MoreFESTIVALS: QUEER STORIES ILLUMINATE NEW PATHWAYS
A reflection on queer filmmaking, festival curation, and representation at WIFF Mumbai 2025 — read this interview of Sridhar Rang...
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