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Scripting doomsday!

In the last few years, which were bedevilled with ambivalence, ambiguity and plain misunderstandings, statements of people in power or celebrit...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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Uff, that dance of chaos

Khalid Mohamed reviews the political askew Tandav, the heart-tugging Tribhanga and the pertine...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Of Optics and Opportunism

“We are not to empathise anymore with human pain if it inconveniences entrenched power structures and the politics of privilege. Ever...

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Public Restrooms – Can they be an Arbiter of Gender?

Public restrooms become a battleground for the Transgender. The familiar outline of Male and Female that mark g...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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AGNIPARIKSHA: An Ordeal Remembered

Orient Blackswan released the English translation of eminent lawyer and Gandhian Read More