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WHEN HOMECOMING ISN’T A ONE-WAY STREET

Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration...

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SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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YOUNG INNOVATORS FIGHT MICROPLASTIC CRISIS

Indian teenagers Vivaan Chhawchharia and the Plas-Stick team have won The Earth Prize Asia 2026 for creating a low-cost tamari...

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COCKROACH GENERATION CHALLENGES SILENCE

A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, dem...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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THE QUIET FIRE OF BECOMING

In conversation with Omara Shetty—Vinta Nanda explores her journey from journalism to acting, her craft, authenticity, a...

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SUI GENERIS: TEDxNMIMS RETURNS

AI Creativity Debate Takes Centerstage: The annual independently organised TED event at NMIMS Mumbai takes on one of the defin...

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THROUGH AN EYE CURIOUSLY INTERVIEW

In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, B...

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PUBLIC RELATIONS CRISIS IN HEALTHCARE

Ranjan Das Gupta examines the neglected state of public relations in India’s healthcare system, highlighting systemic ga...

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