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A CONVERSATION THAT STAYS WITH YOU

Sushmita Chowdhary reviews Vinta Nanda’s WMNcomm podcast on fearless storytelling, women’s leadership, independent cinema, creativity, Tara, Th...

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BOLLYWOOD AWARDS REWARDS BOX OFFICE

Why do acclaimed performances rarely translate into commercial opportunity in Hindi cinema? Monojit Lahiri explores the divide between ...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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SAATH TERA: POETRY BECOMES SONG

Ahead of Saath Tera’s 24 August release, Vinta Nanda speaks with poet-filmmaker Barnali Ray Shukla about longing, Old Delhi, handwritten memories, an...

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PHULE’S THIRD EYE STILL BURNS

Prof Dr Avinash Kolhe reflects on a dramatic reading of Jyotiba Phule’s Trutiya Ratna, exploring its critique o...

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GEN Z TURNS POWER UPSIDE-DOWN

Vinta Nanda watches India’s Cockroach movement transform youth anger into irreverent resistance, challenging political ...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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PRITAM AND PEDRO REVIEW VERDICT

A convention-bound cyber thriller that never quite acquires the unmistakable Hirani magic. Despite capable performances, P...

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GOVERNOR REWRITES HISTORY FOR POLITICS

Film critic Arnab Banerjee examines Governor, a politically charged retelling of India's 1991 economic crisis, praising Manoj ...

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ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

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