IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

MUJIB: The Making Of A Nation

Aparajita Krishna has brief but deep conversations with director Shyam Benegal, co-writer Atul Tiwari and costume designer Pia...

Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

Dhoop Ki Deewar: Intriguing and Interesting

Shafiq Siddiqui reviews the web series Dhoop Ki Deewar, airing on Zee5. Two episodes of the series are released every Friday.<...

Bollywood Rebooted

Authentic, the one word, which describes Diljit Dosanjh better than any other, writes Dr Sandeep Goyal

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