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Alternative Entertainment

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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Human Rights

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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Human Rights

MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Thought Factory

AI DISRUPTS CINEMA AND IDENTITY

As artificial intelligence reshapes cinema, actors confront the loss of control over identity, image, and livelihood, writes <...

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Business and Politics

WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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Sustainable Development

INDIA CENSUS 2027 INCLUSION CHALLENGES

Population Foundation of India calls for inclusive and secure approach to India’s first digital Census. As India begins Census 2027, conc...

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Alternative Entertainment

FILMMAKER PANKAJ BORA ON REALITY

“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...

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Alternative Entertainment

FILMMAKER PANKAJ BORA ON REALITY

“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...

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Festivals

DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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