Hello Jyoti Kapoor!

Aparajita Krishna takes a tour with Jyoti Kapoor, the young film-writer (story, screenplay, dialogue) who carries in her petit...

Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

Indian gay film Evening Shadows’ journey unstoppable

Evening Shadows, the multiple award-winning Indian feature film about a son coming out to his mother, is still going strong on the fil...

NFAI To Hold Workshop On Film Restoration

The National Film Archive of India (NFAI), in association with the Film Heritage Foundation headed by Shivendra Singh Dungarpur, is set to begin a 10-day workshop on film p...

The Spectacular Bimal Roy Retro At The Bharatiya Vidya Bhavan

Extraordinary! Unprecedented! January 16, 2016 ? The grand finale of BRMC?s last awards night ?will be remembered for something that was unscripted. Indeed, completely unex...

Pyaasa – Guru Dutt’s Cult Classic Becomes The Only Indian Restored Film For World Premiere At The 72nd Venice Film Festival In September 2015 In The Competition Section (E)

“Pyaasa” – A timeless masterpiece by Guru Dutt becomes the only Indian film restored by an Indian company for a world premiere in the competition section ...