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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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PRIDE, IDENTITY, COURAGE, FREEDOM, REPEAT

In this Pride Month conversation, Vinta Nanda speaks with Salim Asgarally about identity, transition, family, friendship, fashion, self...

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OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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BARNALI RAY SHUKLA ON CINEMA, LIFE, POETRY

Writer, filmmaker and poet Barnali Ray Shukla speaks to Vinta Nanda about poetry, independent cinema, Satya, marriage...

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AN ACTOR PREPARES: ASEEM HATTANGADI

A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...

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INDIA’S CHANGING LIFESTYLE PULSE

From smart kitchens and flexible careers to celebrity-led animal welfare, three emerging stories reveal how technology, work culture, and socia...

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INDIA’S AD WOMEN EVOLVE

The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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THE QUIET FIRE OF BECOMING

In conversation with Omara Shetty—Vinta Nanda explores her journey from journalism to acting, her craft, authenticity, a...

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