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Bollywood

ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

Bollywood

Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

Thought Factory

DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue. Read More

Bollywood

The Natural

Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsm...

Alternative Entertainment

When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

Thought Factory

Hamari Amita: Critic who called the shots

Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...

Hollywood

Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

Movies

Reel Nurses

Film historian Dhruv Somani, recalls the Florence Nightingales of Bollywood cinema.

Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/mise-en-scene-a-metaphysical-expression/6b528ce7d35c043d" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/05/1621957627Retroscope_-_Post_(6)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/mise-en-scene-a-metaphysical-expression/6b528ce7d35c043d">Mise en scene: a metaphysical expression</a></h3> <p><p style="text-align: justify;"><strong>Sharad Raj</strong> writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...</p> <a href="/thought-box/mise-en-scene-a-metaphysical-expression/6b528ce7d35c043d" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/when-men-change-and-repent-cinema-of-kenji-mizoguchi/502eef6f3de3a6c3" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/05/1620224833Thought_Factory_-Poster_(4)_(3)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Thought Factory" style="color: #1985e1;">Thought Factory</a> </div> <h3><a href="/thought-box/when-men-change-and-repent-cinema-of-kenji-mizoguchi/502eef6f3de3a6c3">When men change and repent: Cinema of Kenji Mizoguchi</a></h3> <p><p style="text-align: justify;">Men are at loose ends without women to enslave, to desire, to abandon. <strong>Sharad Raj</strong> explores why the director is forgiving of th...</p> <a href="/thought-box/when-men-change-and-repent-cinema-of-kenji-mizoguchi/502eef6f3de3a6c3" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="pagination"> <ul class='pagination'><li class='prev page-numbers' class='page_info'>Page 2 of 4</li><li><a class='prev page-numbers' href='?search= Kurosawa&submit=&page=1'><i class='fa fa-caret-left'></i> Previous Page</a></li><li><a class='page-numbers' href='?search= Kurosawa&submit=&page=1'>1</a></li><li><a class='page-numbers current' class='current'>2</a></li><li><a class='page-numbers' href='?search= Kurosawa&submit=&page=3'>3</a></li><li><a class='page-numbers' href='?search= Kurosawa&submit=&page=4'>4</a></li><li><a class='next page-numbers' href='?search= Kurosawa&submit=&page=3'>Next Page <i class='fa fa-caret-right'></i></a></li><li><a class='next page-numbers' href='?search= Kurosawa&submit=&page=4'>Last Page <i class='fa fa-caret-right'></i><i class='fa fa-caret-right'></i></a></li></ul> </div>   </div>  </div>   <aside id="sidebar"> <div class="widget"> <h3>Latest News</h3> <div class="article-block"> <div class="item"> <div class="item-header"> <a href="/thought-box/kaleidoscope-bridging-the-sacred-and-the-artistic/bc57facdadf8d99b" class="image-hover"><img src="dailyeye_cms/Image/2024/11/1732194212Retroscope_-_Post_20241121_181336_0000-74X74.jpg" alt="" /></a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Kaleidoscope" style="color: #276197;">Kaleidoscope</a> </div> <h4><a href="/thought-box/kaleidoscope-bridging-the-sacred-and-the-artistic/bc57facdadf8d99b">KALEIDOSCOPE: BRIDGING THE SACRED AND THE ARTISTIC</a></h4> <span><a href="/thought-box/kaleidoscope-bridging-the-sacred-and-the-artistic/bc57facdadf8d99b">November 22 2024</a></span> </div> </div> <div class="item"> <div class="item-header"> <a href="/thought-box/powerful-people-usha-uthup-the-queen-of-pop/6bd0761af286b173" class="image-hover"><img src="dailyeye_cms/Image/2024/11/1732106998Retroscope_-_Post_20241120_175643_0000-74X74.jpg" alt="" /></a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Powerful People" style="color: #276197;">Powerful People</a> </div> <h4><a href="/thought-box/powerful-people-usha-uthup-the-queen-of-pop/6bd0761af286b173">POWERFUL PEOPLE: USHA UTHUP - 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KALEIDOSCOPE: BRIDGING THE SACRED AND THE ARTISTIC

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HOLLYWOOD: TOP 10 OSCAR CONTENDERS 2025

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ETERNAL CHARISMA

Of the People

DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

The Natural

When Atul Met the Movies

Hamari Amita: Critic who called the shots

Silence: The language of God

Reel Nurses