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DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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POWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER

Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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RETROSCOPE: THE FLAME THAT STILL BURNS

When Smita Patil Breathed Her Last On The Midnight Of December 13, 1986, The World Of Cinema In General And Indian Cinema In P...

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THOUGHT FACTORY: LEGACY, VISION, ART, AND NATION

This article by filmmaker Sharad Raj celebrates Jawahar Lal Nehru’s 126th birth anniversary by reflecting on Nehru&rsquo...

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TV: A JOURNEY THROUGH GOD’S OWN COUNTRY

Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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