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Business and Politics

BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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Festivals

FESTIVALS: A MAGICAL CELEBRATION OF ART AND HOPE

An enchanting sundowner hosted by Nisha JamVwal, showcasing Lata Balakrishna’s evocative art, celebrated the power of creativity and hope...

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Festivals

FESTIVALS: EMPOWERING INDIA’S PODCASTING VOICES

A vibrant gathering at Jio Institute celebrated podcasting’s impact on brand storytelling, leadership, and community-building in India&rs...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: MITA VASHISHT - TRANSPORTED

"Mita Vashisht, the acclaimed NSD alumna, returns to her alma mater after 29 years, directing Chekov's 'Three Sisters' while reflecting on her ...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: SHYAM BENEGAL’S MANTHAN

Thanks to the efforts of the Film Heritage Foundation, Shyam Benegal’s masterpiece has reached a new generation, proving cinema’s p...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: MAINSTREAM VS. ALTERNATIVE PERSPECTIVES

A comprehensive understanding of mainstream and alternative movements enrich discussions about the strengths and weaknesses of each. Sh...

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Business and Politics

BUSINESS: MAKING M&E STUDENTS INDUSTRY READY

The highly anticipated 5th Edition of Masterclass Marathon hosted by Whistling Woods International's (WWI) School of Media & Communication ...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: TAPAN SINHA’S EK DOCTOR KI MAUT

Tapan Sinha’s Ek Doctor Ki Maut (1990) shows how scientific research and innovation is not given its due in India, and how professional j...

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Bollywood

BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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