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WE THE PEOPLE!

Humra Quraishi questions the whereabouts of missing children on Human Rights Day, and addresses what meaningless entertai...

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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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BEGINNINGS

In a flashback interview, Aamir Khan talks to Khalid Mohamed about the pleasures and pains of acting.

Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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