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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI

Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion): A formula-driven rom-com that leans on wedding cha...

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POWERFUL PEOPLE: WHEN OPPORTUNITIES KNOCK

Khalid Mohamed interviews film, theatre and web series actor, Soni Razdan who’s back in the limelight, with a searing pe...

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BOLLYWOOD: STORIES OF STRUGGLE AND SURVIVAL

The marginalised have never had it easy—but in our own fractured land, their journey is not just arduous, it is often soul-scarring, as N...

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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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TRENDING: SALUTING KASHMIR’S RULE-BENDING SINGER RAJ BEGUM

Khalid Mohamed in conversation with Danish Renzu on his widely-acclaimed gentle and poetic film Songs of Paradise&nbs...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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TRENDING: BEAUTY LIES IN BOTOX WITHIN

‘To Thine Own Self Be True…’ This famous quote from Shakespeare’s Hamlet has taken on a new meaning today, wi...

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MOVIES: DANCE OF PUPPETS AND DESIRE

Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...

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