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A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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Alibabas galore…

Film historian Dhruv Somani flashbacks to the plethora of Bollywood movies, which were once fascinated by the adventures of Al...

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The First Prime Minister of India

A day after Pandit Jawarharlal Nehru’s birth anniversary, also known as Children’s Day in India, we recall his leadership; the high...

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Tarkovsky’s Brilliant Images, Revisited

Khalid Mohamed finds solace in the book Instant Light: Tarkovsky’s Polaroids, comprising 60 images to live for.

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Signs of the times

Humra Quraishi rewinds to 1995; when she met the first ambassador of Uzbekistan to India, Surat Mirkasymov, and remembers how ...

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Will Life ever return to Normal for these Families displaced by War in Yemen?

Yemen is the world’s single largest humanitarian crisis. Hunger is constant. The besieged port city of Hodeida in Yemen has bec...

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Why being an Intellectual has become risky in Modi's India

It is difficult to draw the line between an 'ordinary' citizen questioning the fate of his tax money in a tea s...

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Cannes in Support of Films made by Dissident Directors

The 71st Annual Cannes Film Festival is scheduled to be held from 8 to 19 May 2018. Asghar Farhadi's psych...

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Cold War and Cool Jazz

“If you have to ask what jazz is, you'll never know.” ― Louis Armstrong

Americ...

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