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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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POWERFUL PEOPLE: THE FAALTUGIRI TOUR

Janhavi Samant, a force to be reckoned with, hails from the vibrant streets of Dadar, also known as the cradle of India’s cinematic herit...

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BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK

Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...

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KALEIDOSCOPE: BREATHING LIFE INTO A SONG

Tarali’s musical experiment with Anup Baruah is what Utpal Datta visits this week to explore what it took the singer, ly...

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THOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?

Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...

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ALTERNATIVE ENTERTAINMENT: TAPAN SINHA’S EK DOCTOR KI MAUT

Tapan Sinha’s Ek Doctor Ki Maut (1990) shows how scientific research and innovation is not given its due in India, and how professional j...

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