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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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SO MUCH OF DESTRUCTION!

Humra Quraishi revisits 1992 and the demolition of the Babri Masjid then, in context to the bulldozing of property without con...

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When stories divide…

Humra Quraishi expresses her apprehensions about the divisive politics being played today and what is means for the India...

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Double standards… all the way!

Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...

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Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

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Sign of the times: So far from God!

Humra Quraishi discusses the definite background to the sorry state of affairs in Afghanistan.

Sunil Shanbag: A Theatre Yatra! Part 2

Aparajita Krishna continues telling the story of Sunil Shanbag from where she left it in Part 1