WOMEN OF STEEL

Some among us could be talking about the conditions of prisons in the country, and the various challenges faced by inmates, but only a handful ...

ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

Does art have a religion?

Recently there was a row over a Muslim Dancer named Mansiya, not being allowed to perform at a Kerala temple. Artists from various fields discu...

Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

Shishir Sharma: The Gentleman Actor!

Aparajita Krishna goes on a long walk on the cobbled path of art, theatre and acting with actor Shishir Sharma, whose repertoi...

Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...