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ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US

In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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THOUGHT FACTORY: A SILENCE THAT SHOUTS

An incisive reflection by Sohaila Kapur on speech and silence, moving from personal memory to cultural critique, revealing how...

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GENDER: WHEN FIDELITY MEETS MODERN DESIRE

Twinkle Khanna’s remark on marriage and infidelity sparked nationwide debate a couple of weeks ago, and Vinta Na...

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TV: A JOURNEY THROUGH GOD’S OWN COUNTRY

Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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