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SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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STUDENT CITY PART 4

Written by Prof Dr Piyush Roy, Student City Part 4 revisits the emotional rivalries, campus politics, friendships and...

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KASHISH 2026 PRIDE VENUES ANNOUNCED

South Asia’s biggest LGBTQIA+ film festival KASHISH Pride Film Festival to be held June 3-7, 2026 at Liberty Cinema, All...

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THE QUIET FIRE OF BECOMING

In conversation with Omara Shetty—Vinta Nanda explores her journey from journalism to acting, her craft, authenticity, a...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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MOTHER DAUGHTER BOND AND CHANGING DYNAMICS

Today’s Ma–Beti Relationship…Has Buddyhood Replaced Mamta?! Can a mother ever be her daughter’s best friend? M...

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