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Richard Gere: In Conversation

This is the 30th year of the global hit Pretty Woman. Khalid Mohamed pulls out excerpts from an exclusive interview with Richa...

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KASHISH 2020 Virtual: French film The Shiny Shrimps

157 films from 42 films to screen at the 11th edition of KASHISH Mumbai International Queer Film Festival to b...

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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Nepotism: Advertising Industry better or Bollywood?

Sandeep Goyal gives you a view to the nepotism, which mocks at as much talent in the Adve...

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Solace: In the time of the Coronavirus

Abhinav Krishan, a New Delhi corporate executive, writes on why he fled to the hills close to Dehradun, to commune with nature...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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Rebellion of James Ferreira

Khalid Mohamed profiles the pioneering designer James Ferreira, who has double-tasked as a warrior to preserve the two-centuries-old, Portugues...

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Hollywood icon: The Rock

Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggl...

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Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

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