Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

Kitu Gidwani: Distinctly Yours!

Aparajita Krishna flashbacks and forward with the life and times of Kitu Gidwani – an actor with, perhaps, the most well...

An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

Jhappi-pappi and all

Farrukh Dhondy recalls the Bhartiya Janta Party’s election victory of 2014, which he watched unfold on television when h...

The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

Mobilizing against child malnutrition

A child born at the start of 2020 was less likely to become malnourished than a child born at the turn of the Millennium.

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I want to work on daydreaming: Sadiya Siddiqui

Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...