Mohammed Rafi: Forty Years Later

Anil Dixit exults about Mohammed Rafi’s imperishable legacy of songs, on the occasion of the legendary crooner’s 4...

Stardom: The road to heaven

Vinta Nanda writes about two strugglers – their personal experiences that explain how it works for aspirants before they...

Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

A Journalist and two Gentlemen: Farooq Shaikh and Parvez Dewan

In the backdrop of actor Sushant Singh Rajput’s suicide, Humra Quraishi is reminded of what two gentlemen, Farooq Shaikh...

Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

Lost treasure of the legendary R.D. Burman

Khalid Mohamed calls for the retrieval of the missing songs of R.D.Burman, which Asha Bhosle confirms must be “languishi...

The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

Woman of Song: Usha Khanna

Dhruv Somani makes a case to revisit Usha Khanna, one of Bollywood’s few and certainly the most prolific and popular women composers.