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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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KASHISH 2020: Fifty-two films in competition

KASHISH 2020 Virtual, will screen 157 films from 42 countries
The 11th edition of KASHISH Mumbai International Queer Film Festival, South...

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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CELEBRATE CINEMA 2019

Mumbai, September 23, 2019: Jubilance, enthusiasm and festive fervour prevailed over the last two days at Whistling Woods International (WWI), ...

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A Muslim in Bollywood

The mainstream Hindi film industry’s template for the community reflects ideological and political shifts in contemporary India.

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Indian gay film Evening Shadows’ journey unstoppable

Evening Shadows, the multiple award-winning Indian feature film about a son coming out to his mother, is still going strong on the fil...

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The women who are breaking glass ceilings in the film industry

Ruth E Carter made Oscar history, becoming the first African American woman to receive the best costume design Academy Award last week for her ...

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Shakespeare’s The Taming of the Shrew gets a gender-flip

Jo Clifford was asked to adapt The Taming of the Shrew, the play which she hated the most once. “I wasn’t ready to do it then,...

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