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Scripting doomsday!

In the last few years, which were bedevilled with ambivalence, ambiguity and plain misunderstandings, statements of people in power or celebrit...

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Ritu Nanda’s memoir by Sathya Saran

Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta ...

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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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Another Ravi Varma: Mankada

Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...

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‘Having a blast’ is a very ordinary thing to do!

How often have we all said, “Hey, let’s have a blast”, or, “What a blast we had last night”, writes Vinta...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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Signs of the time: What Gandhi didn’t want

Humra Quraishi looks at the indiscriminate violence taking place around the country ironically...

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Evolution of Pakistani TV Shows– Part 2

After receiving a great response on the first episode of Read More