The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

Signs of the times: Nothing’s right

Humra Quraishi says that the signs of fascism are spreading, yet as mute spectators we sit quiet and subdued.

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

Signs of the times: Imagine all the people…

Humra Quraishi wonders if it is the need of this time to revive the Progressive Writers Movement in India.

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

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When R.D. Burman met the Jazzman

Edited excerpts from the book Louis Banks: A Symphony of Love by Ashis Ghatak

As a young ...

Goodfellas: The patriarchal architecture of the mafia world

Goodfellas is considered to be one of the greatest gangster films ever, writes Sharad Raj.

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