Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, wri...

Gentleman Extraordinaire: Phani Majumdar

Rinki Roy Bhattacharya shares her experience of meeting Phani Majumdar, a filmmaker and man ex...

Helplines: Warriors at the forefront

Professionals talk to Monarose Sheila Pereira, about th...

Such a long journey: Neena Gupta

Balaji Vittal introduces you to Sach Kahun Toh, theatre, film and television actor, and writer...

The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

Hope and the horizon

Dr. Kishore Madhwani updates the facts on the COVID virus and asserts the need to stay calm while under the pressure.

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...