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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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Solace: In the time of the Coronavirus

Abhinav Krishan, a New Delhi corporate executive, writes on why he fled to the hills close to Dehradun, to commune with nature...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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The Last Concert

Begum Akhtar passed away a day after her concert in Ahmedabad on 29 October, 1974. Here’s a rare photo-essay of that enchanted evening by...

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Reignmen: Salman, Aamir & Shah Rukh Khan

Khalid Mohamed on why Salman, Aamir and Shah Rukh Khan have continued to reign in Bollywood through three decades.  

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Homeward bound…

Photojournalist SL Shanth Kumar was at Bhiwandi station on the outskirts of Mumbai to see off the first train leaving Maharashtra. Here is a ph...

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Transformation: the Piramal Foundation way

Walking an extra mile has not remained just a phrase for Hemant Panthi, Block Transformation Officer (BTO) of Devsar block in the Aspirational ...

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