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Hair today, gone tomorrow

Khalid Mohamed streams right into Hansal Mehta’s Chhalaang, Akarsh Khurana’s Mismatched and more.

At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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The Making of Satya

Novelist and writer, Adithi Rao who was assistant director on Ram Gopal Varma’s Satya, rewinds to the behind-the-scenes ...

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The Scattered Rainbow

Darshan Mondkar has been a social and political commentator since 2010, writes Vinta Nanda in this piece compiled by her. &nbs...

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A Woman of Letters

“I am reading Amartya Sen’s book nowadays”, says a sprightly young voice at the other end of my telephone line: Janak...

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Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

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Bond, Bollywood Bonds

Film historian Dhruv Somani, in the wake of the passing away of Sean Connery, chronicles the desi Bonds that were.

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Of surrogate ads and liquor brands

A couple of weeks ago I had written an open letter to the chairman of the Advertising Standards Council of India (ASCI) pointing out to him tha...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna