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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Mehmood: The King of Comedy

Khalid Mohamed recalls Bollywood’s ace wonder mirth-maker, Mehmood, on the occasion of h...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Over my dead body

Aroona Bhat decodes the last breath; the many times people inhale and exhale before they take it. She figures, that life&rsquo...

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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Guru Dutt: A Life Interrupted

Humra Quraishi observes from the auteur Guru Dutt’s life, how fragile artists are when they’re possessed by their ...

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Tragedy: The Untold Story of Baby Naaz

Khalid Mohamed narrates the story of Baby Naaz, a super child actor of the vintage years, who ...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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Celebrity endorsements hit by COVID-19

Indian Institute of Human Brands (IIHB) has released a report on celebrity compensation which states brands expect celebrity f...

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