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Movies

Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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Thought Factory

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Kaleidoscope

Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

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Kaleidoscope

To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Bollywood

Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Movies

Coming of Age: Child stars that could make it big

Film historian, Dhruv Somani, looks back at Bollywood’s babies and moppets who could make that tough transition to leadi...

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Kaleidoscope

Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

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Powerful People

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Retroscope

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Movies

Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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