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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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So much hokum-pokum

Khalid Mohamed reviews the time-travel series JL 50, the documentary  Social Dilemma and ...

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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Of Epic Tales: Movie mythological of yore

Film historian, Dhruv Somani, takes you back to the time when the mythological genre captivated film audiences

Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.