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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Denial: In the Industry of Entertainment

Actor and Executive Committee (EC) member of CINTAA Ayub Khan highlights a challenge confronting the Hindi television industry...

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Speak English, Drink Rum: Women at the workplace

Vinta Nanda recalls the times when she was a smoker, enjoyed drinking rum and coke every other evening and also spoke fluent E...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Justice for Women Amidst COVID-19

A new report documents major challenges to women’s access to justice in light of the COVID-19 pandemic and puts forth recommendations...

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Chiller Thrillers

Film historian Dhruv Somani unearths eight Bollywood films, which were grossly undervalued.

On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

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