BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

FESTIVALS: THE SUN SHINES ON SUNNY DA DHABA

We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...

TRENDING: MEET THE CAST AND CREW OF FARIDA

Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...

POWERFUL PEOPLE: INFINITE GENIUS, BOUNDLESS THEATRE

Nadira Zaheer Babbar inhabits the same universe where I met her in 1984. Today, she is as intense and powerful as a thousand times more, and it...

POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

BUSINESS: SPEAK MEMORY!

Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.

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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s

It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...

ENVIRONMENT: CAMPAIGN AGAINST LAND GRAB GAINS MOMENTUM

The Mahalakshmi Race Course is part of Mumbai's heritage and has stood the test of time. It is a symbol of Mumbai's cultural and historical ric...

SEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?

It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...