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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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101 CHEERS FOR INDIA’S REVERED GLOBAL ICON

Never in the annals of Indian film history has any single filmmaker, before or since, received such glowing tributes from the world’s leading luminaries regarding his...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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Appealing to the young at heart: Kakababur Protyabortan

Srijit Mukherji’s new film appeals to the young at heart, with Soumik Haldar’s cinematography helping it tide over the narrative lu...

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PG Digging-Bombay Ishtyle!

Aparajita Krishna remembers being a Paying Guest once, she recalls the famous Ganga Vihar through talks with famous residents ...

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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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