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Retroscope

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Movies

Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Bollywood

Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Kaleidoscope

Hidden Prejudices

After the uproar over the denial of restroom access to two African American men, on May 29, the coffe...

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Kaleidoscope

Forgotten People

There has been very little work across media on the tragedy of Kashmiri Pandits, who were turned into refugees ...

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TV

Yeh Hai Mohabbatein: Playing The Love Card Right

Balaji Telefilms has always grabbed eyeballs since its inception and held people’s attention gaining a devout viewership for their intriguing daily soaps with a conte...

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Kaleidoscope

Humour In Adversity

It would be difficult to imagine how a divorce could be turned into a comedy--but this is what writer-director Imran Rasheed has done with his new play Phir Se Shaadi!...

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Retroscope

Udayer Pathe - A Star Is Born

With Udayer Pathe, a new star was born – the name was BIMAL ROY.
As cinematographer, that star quality was evident after he shot P.C .Barua’s MUKTI. Deser...

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Bollywood

No More Lampooning, Bollywood Embraces Gay Characters

There was a time when films such as Pyar Kiya Toh Darna Kya (1998) lampooned people from the LGBT community through characters who were manily sidekicks, had overtly femini...

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TV

True Review Television - Tamanna: a Primetime Pick

Star Plus’ Tamanna isn’t just about the challenges of a woman cricketer and her single parenting. The script has taken a macro view of social biases, enforced v...

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