On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

BEHIND THE STARDOM IS AN IGNORED ACTOR

True or False, asks Monojit Lahiri who’s in an investigative mood today!

It was som...

Presenting Gangubai: Mr. Controversy’s latest traffic-stopper?

As Sanjay Leela Bhansali’s latest offering hits the screen, Monojit Lahiri invites you to stand by for truckloads of taa...

The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

His own terms: Sharad Raj

Ek Betuka Aadmi Ki Afrah Raatein is now streaming on Eventscape Vod Platform. Vinta Nanda has a chat with director Sha...