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MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...

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RETROSCOPE: CENTENARY OF A REBEL POET OF CELLULOID

Ranjan Das Gupta marks 100 years of Guru Dutt, the visionary director who blended poetry, pathos, and protest in cinema, trans...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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BOLLYWOOD: WHEN FAME MEETS REAL TALENT

Actors Long to Be Stars. Stars Yearn to Be Actors — Can the Twain Ever Meet?

Monoji...

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POWERFUL PEOPLE: NEXT ACT, DEFYING PATRIARCHY

Khalid Mohamed interviews actor and former supermodel Dipannita Sharma on toxic Bollywood dynamics, gender politics, and her p...

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RETROSCOPE: HIS ENDURING LEGACY IN BENGALI CINEMA

Celebrating the quiet brilliance of Anup Kumar—Bengali cinema’s everyman—on his birth anniversary. A master of nuance, humour...

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KALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY

A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideol...

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POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

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FESTIVALS: RESTORED CLASSIC ARANYER DIN RATRI SHINES BRIGHT

At Cannes 2025, Film Heritage Foundation unveils restored masterpieces by Satyajit Ray and Sumitra Peries, spotlighting South Asia's cinematic ...

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