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Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Threatened to vacate this earth

Humra Quraishi responds to the film The Kashmir Files, making headline news across media today, with a reminder to the many human tragedies taking place ac...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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Hate mongering and dreamy love songs

Humra Quraishi asks us how we can participate in assemblies of pleasure and write dreamy love songs, in this atmosphere of vio...

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Starring Leela Mishra & Kanhaiyalal

Aparajita Krishna talks to eminent members of the film industry and Indian theater to explore how Leela Mishra and Kanhaiyalal...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

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Building bridges: Rekha Surya

Even before her soulful voice creates magic and captivates you, her charismatic persona hits you with an overpo...

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Women Win Culture Cinema Film Festival

Culture Cinema 2021, a unique film festival that celebrates world cultures through the medium of cinema for international audiences, announced ...

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