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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultTHE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD
The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...
Read MorePREJUDICE, DISCRIMINATION, HATE, ELECTIONS, VOTES…
I cannot dare describe the poisonous propaganda unleashed by the Hindutva lobbies, the myths, misconceptions and twisted lies that are in circu...
Read More‘GOOD JOB NELIIMA!’
Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...
Read MoreI WOULDN’T HAVE IT ANY OTHER WAY!
Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...
Read MoreARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!
Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...
Read MoreCHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN
In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...
Read MoreGovernment in Hibernation - Lay-offs Rampant
Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes...
Read MoreKANWALJIT SINGH: Life & Roles!
Aparajita Krishna tells you all about the tall, handsome actor Kanwaljit Singh in this unputdownable interview with him.
... Read MoreTHE TOWERING TRIUMVERATE & THE TERRIFIC TRIO
Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...
Read MorePAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA
His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.
