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MY FRIEND CHOPIE BY SOHAILA KAPUR

A deeply personal tribute by Sohaila Kapur to legendary editor Krishan Chopra, recalling friendship, journalism, publishing, w...

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AN ACTOR PREPARES: ASEEM HATTANGADI

A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...

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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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INDIA’S CHANGING LIFESTYLE PULSE

From smart kitchens and flexible careers to celebrity-led animal welfare, three emerging stories reveal how technology, work culture, and socia...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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INDIA’S AD WOMEN EVOLVE

The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...

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STUDENT CITY PART 4

Written by Prof Dr Piyush Roy, Student City Part 4 revisits the emotional rivalries, campus politics, friendships and...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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