THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

THURSDAYS OF FIRE, FRIDAYS OF STEEL

Humra Quraishi views the human rights violations that are piling up and asks how the leaders in the future will heal people fr...

SAD TIMES…

Humra  Quraishi reports on mindless encounters taking place in UP and harks to understand why they have almost become the...

YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

WOMEN OF STEEL

Some among us could be talking about the conditions of prisons in the country, and the various challenges faced by inmates, but only a handful ...

No Country For Minorities

Humra Quraishi points out the double standards adopted by the state when dealing with minorities in India.

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