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Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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A Book Definitely For Keeps

Monojit Lahiri’s take on Dadamoni: The life and times of Ashok Kumar by Nabendu Ghosh.  

BEHIND THE STARDOM IS AN IGNORED ACTOR

True or False, asks Monojit Lahiri who’s in an investigative mood today!

It was som...

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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

The Unending Tragedy

Humra Quraishi views the conditions prevailing for the convicted and undertrials in Kashmir through the lens of writings about...

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Star! Music Director! Singer!... Lyricist.

Why is the songwriter always last in the ‘hit parade’? Monojit Lahiri attempts to tune-in on this little-explored ...

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Just another brick in the wall

Niraj Jani, rock music enthusiast, writes on Pink Floyd’s cautionary songs about the constant vigil for intellectual fre...

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At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna