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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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STUDENT CITY PART 5

In Prof Dr Piyush Roy’s Student City Part 5, a volatile night at a Pune B-School disc changes friendships, loyalties and...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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INDIA’S AD WOMEN EVOLVE

The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...

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STUDENT CITY PART 4

Written by Prof Dr Piyush Roy, Student City Part 4 revisits the emotional rivalries, campus politics, friendships and...

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DEMOCRACY ON UNEVEN GROUND

Vinta Nanda examines how corporate power, religious majoritarianism, weakened institutions, and narrative control are reshaping Indian ...

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REIMAGINING MENTAL HEALTH THROUGH COMPASSION

In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...

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THE QUIET FIRE OF BECOMING

In conversation with Omara Shetty—Vinta Nanda explores her journey from journalism to acting, her craft, authenticity, a...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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THE REBEL WITHOUT A...PAUSE

Fearless. Disobedient. Rowdy. Bindaas. Playful. Rooted. Real. Sanjay Bhattacharya is a rare artist, forever ready to do a soul...

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