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Gender

WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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Thought Factory

TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS

Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...

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Bollywood

DID PATHAN’S MONSTER SUCCESS DILUTE THE ‘CONTENT IS KING’ MANTRA?

Monojit Lahiri investigates the on-going discussion about what is ‘king’ – the content or the star, by takin...

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Business and Politics

KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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Hollywood

NINETY-ONE CHEERS FOR HOLLYWOODS DEATHLESS BEAUTY!

Monojit Lahiri salutes Hollywood’s last super-star who was a born headliner - her 91st Birth Anniversary appr...

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Alternative Entertainment

Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

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Alternative Entertainment

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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Alternative Entertainment

Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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Alternative Entertainment

On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Bollywood

That Year of The Other Woman

Film historian Dhruv Somani flashbacks to the year 1980, when the subject of ‘the other woman’ was no longer consi...

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