Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

The Sound of Dubbing

Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artis...

How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

The Woman in White

Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...

Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

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Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...