The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

How civilized is the civilized world?

Vinta Nanda insists that we, the so-called civilized people, talk about poverty, violence and exclusion.

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...

Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...