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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is...

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Status Single & Lockdown Part II

Sreemoyee Piu Kundu says, due to the Covid-19 lockdown, many women are walking the tightrope of working at home and also worki...

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COVID-19: The hour of reckoning

Anupama Mandloi writes about how the Mumbai based organization YUVA, has engineered itself to help the disadvantaged during th...

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Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Admitted

Ojaswwee Sharma’s award Winning Feature Film – a Docu-drama about Transgender Education Rights was released yesterday, 13th June 20...

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Rajiv Gandhi Sadbhavana Award 2020: Call for entries

Rajiv Gandhi, in his brief life, has left an indelible imprint on the country. His vision of a vibrant future, youthful dynamism and his commit...

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Kashish 2020 goes Virtual

First major film festival in India to go online completely with a full-festival lineup of new LGBTQIA+ films from across the world

Considering that the city, the na...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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